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Pavilion for Japanese Art : ウィキペディア英語版 | Pavilion for Japanese Art
The Pavilion for Japanese Art is a part of the Los Angeles County Museum of Art containing the museum's collection of Japanese works that date from approximately 3000 B.C. through the 20th century. The building itself was designed by renowned architect Bruce Goff.〔van Roessel, Annemarie and Christa Aube. "The Bruce Goff Archive in the Department of Architecture, The Art Institute of Chicago." ''The Newsletter of the National Historical Publications and Records Commission'' Volume 30:2, June 2002 ()〕 == Collections == Archaeological artifacts, Buddhist and Shinto sculpture, ceramics, lacquer ware, textiles, cloisonné, and armor are on display on the second level of the Pavilion's West Wing. The Helen and Felix Juda Gallery, also on the second level, is primarily reserved for Japanese prints displayed in rotating exhibits. The museum's collection includes traditional woodblock prints from the Edo period (1615–1868), as well as a large number of prints from the Meiji period (1868–1912), Taishō period (1912–1926), and the Shōwa period (1926–1989). Print exhibitions change every three months and are based on periods, themes, or styles. The exhibition space in the Pavilion's East Wing displays a rotating selection of screens and hanging scrolls from the Edo period, including works from the Rimpa, ukiyo-e, and Maruyama-Shijo schools as well as spontaneous creations made by Zen monks. Works of art are exhibited on six levels within the East Wing. The plaza level contains the Raymond and Frances Bushell Netsuke Gallery, which holds an encyclopedic array of 827 works from the 17th through the 20th century. This gallery provides visitors with a 360-degree view of the miniature sculptures known as netsuke. In traditional Japan, netsuke were used as toggles and counterweights for suspending tobacco pouches and inro from the sash of men's kimonos.
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